Showing posts with label drypoint. Show all posts
Showing posts with label drypoint. Show all posts

Wednesday, 29 April 2020

RBSA Remote Access - A Virtual Exhibition You can see this until 15 June 2020




As you will know, galleries are closed at the moment due to Covid-19 but The Royal Birmingham Society of Artists (RBSA) is still very much active.   

Currently there is an online exhibition of elected Members and Associates's artwork entitled Remote Access - A Virtual Exhibition and you can view it until 15 June 2020.


http://www.rbsa.org.uk/whats-on/exhibitions/remote-access-a-virtual-exhibition/

These etchings and drypoint are on show and for sale through the RBSA

This Way (drypoint print)

From Hedgrow to hillside (etching)

Through the trees (etching)

Moon and Magnolia (etching)

Standing there (etching)

Welsh Cottages (etching)




Sunday, 2 September 2018

The Illustrated Garden - a new book of etchings, lino, woodcuts, screen prints, monoprints of the garden

I'm delighted to have 3 pages of images and text in this new book of original prints by a wide range of artists.   It's  published by Mascot Media and available from them http://www.mascotmedia.co.uk/news/the-illustrated-garden.html   or   https://www.amazon.co.uk/Illustrated-Garden-Alan-Marshall/dp/1999845749 

A beautiful book with wonderful colour plates of the garden images.

Thursday, 29 June 2017

At Scarborough Art Gallery - 'Lasting Impressions' exhibition with the Printmakers Council, June 2017



One of my drypoint prints was exhibited in the 'Lasting Impressions' exhibition which  comprised work from the archive of the Printmakers Council, for which Scarborough Art Gallery is the repository.  

What an amazing selection of prints in this exhibition!

Thursday, 3 July 2014

Drawing in a Walsall saddlery


I've been drawing in a Walsall saddlery to produce work for an 'Echoes' project run by Walsall Leather Museum.  It was a fascinating time gaining a glimpse into this small business.  The building was used as a leather horse collar workshop in the early 1800s but with the growth of other means of transport, this died out and it's fitting that a leather business continues to be in the same premises.
I'm wondering whether to create an etching or drypoint from my sketches.